Goebbels: A Biography

Goebbels: A Biography by Peter Longerich

My rating: 4 of 5 stars


This book requires a certain type of reader -- one with a deep interest in the topic at hand who can cut through thick prose like a hot knife through butter. If I had more time and more head space at the moment, I might be that person. Alas, I only made it about 150 pages into the book before my Netgalley-provided version expired. (That put me, chronologically speaking, in the very early days of the Nazi party when Goebbels was still a fairly low-ranking regional official.) This latest book on Goebbels is an English translation of a German history based on the not-so-good doctor's voluminous diaries. In and of themselves, they show the man's skill with propaganda, his first subject being himself. He was trying to create his own legend while living it, a complicated effort. Luckily for the reader, Longerich is here as narrator, helping us to distinguish fact from fiction. I recommend the book wholeheartedly for anyone with a strong interest in the personalities of the Reich and a love of meaty prose.



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Above the Dreamless Dead

Above the Dreamless Dead: World War I in Poetry and Comics by Chris Duffy

My rating: 5 of 5 stars


I admit that I don't read a lot of poetry: I usually have to read it aloud or in my head, so it's slow going. Also, I have a fear of not getting The Point based on years of missing the fact that the tree in Stanza 11 represented the writer's angst about his lover's shoes during literature courses. Thus, I was a little reticent going into Above the Dreamless Dead (FYI, I received an e-galley from the publisher for free). But the combination of the graphics and the poetry, instead of adding a layer of obfuscation and interpretation, helped clarify the authors' intent and bring it to lifhee for me.

The verse here comes from the "trench poets" of World War I, with a few popular songs of the era thrown in. Appearing in time for the 100th anniversary of the formal start of the war, the book depicts the horror of what many consider the first modern war: the squalor in the trenches, the horror of gas attacks, the gallows humor of the troops, and the lasting aftermath for those who survived. The black-and-white artwork complements the poetry well rather than drawing too much attention; it's simultaneously beautiful and horrible. Artists' notes at the end of the book provide insight into why certain design elements were incorporated or why a particular style was chosen. (I missed these until after I'd gone through the poems, so I'll have to re-read the book; I'll probably get the print version so I can move back and forth between the notes and the poems more easily.)

AtDD is a great example of how graphic art and words can be paired to create a work that is greater than the sum of its parts.






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A Small Town Near Auschwitz, by Mary Fulbrook

A Small Town Near Auschwitz: Ordinary Nazis and the Holocaust by Mary Fulbrook

My rating: 3 of 5 stars


I liked this book but just didn't love it. The author provides a great deal of good historical information about the role of local government officials in clearing a town -- just miles from the gates of Auschwitz -- of its Jewish population. Of course, the process didn't begin with the cattle cars, but with restrictions on movement and employment, the requisition of Jewish-owned homes for ethnic German families, and ghettoization. And I think here lies one of the book's central strengths: portraying how a gradual process based on antisemitism allowed minor functionaries to serve as the cogs in the wheels of the Final Solution while being barely aware of what the Reich's endgame would be. Not only were Hitler and company thus able to use, as the author calls them, "ordinary Nazis" who might have been a little more squeamish about genocide, but later on, the frog-boiling nature of the events made it easier for these ordinary Nazis to lie to investigators, to their families, and to themselves about the roles they played and what they knew about the Holocaust at what point in the timeline of events.



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Saints, by Gene Yang

Saints by Gene Luen Yang

My rating: 4 of 5 stars


Saints is a fabulous mirror to Boxers, depicting the side of the same events from the perspective of a Chinese Christian girl, Boxers' girl with a face like an opera mask. That said, this isn't a pretty story and the only saint here is Joan of Arc, who makes periodic hallucinatory appearances much like the gods and goddesses in Boxers do. One has to wonder how the events of the conflict would have unfolded if not for the superstition, ignorance, racism, and hatred on both sides. Or even the misery on a micro-level, such as a grandfather who declares a child as a cast-off, people who make assumptions about others' activities, and religious nutbags and zealots a-gogo. Despite all this, these books are incredibly written and drawn, providing a worthy container for the content.



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Boxers, by Gene Yang

Boxers by Gene Luen Yang

My rating: 4 of 5 stars


Going into "Boxers," I knew next to nothing about the Boxer rebellion (thank you crappy education). I had seen mention of it once or twice (including in the book "Midnight in Peking") but was short on the details. So, I can't speak to the historical accuracy of the book, although in a story such as this what "history" says and the reality may not be particularly close.

That said, I think that Yang does a bang-up job distilling the history into a tale about real people's lives. We follow the Righteous brothers from their start in one small village until the aftermath in Beijing. The artwork shows the duality of their story. On one hand, you've got the cartoonish peasants in panels of browns and grays, with our hero being a sort of Joe China. The other side of the coin shows the lavishly drawn and brightly colored gods into which the brothers (and their supporters) believed themselves transformed during battle. We see it all from the brothers' perspective: the training, the journey, and the slaughters. I could understand why the Boxers felt justified in what they were doing. Doesn't make the whole killing-women-and-children thing less horrible, but you see their perspective (fueled by superstition, religion, and probably opium).

Interestingly, Boxers is half of a pair of graphic novels, with the other (Saints) presenting the rebellion from the perspective of a Christian Chinese girl who we briefly meet in Boxers. I think it's a great idea on Yang's part, to tell the story of a place and time in history whose interpretation depends mainly on which side the interpreter was on.

Disclosure: I received an e-copy of the book via NetGalley.





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